LUTs & Presets

FilmVision Pro

$349

FilmVision Pro is the latest evolution of my film emulation pipeline, designed to accurately replicate the look of digitized negative-to-print film. But it’s more than just film emulation—this new workflow also includes a suite of cinema-grade looks that work seamlessly alongside the emulation process. Together, they create a flexible and dynamic toolset for color grading, giving you the ability to achieve both authentic film emulation and creative, unique looks. FilmVision Pro is one of the most versatile color grading solutions available.

The workflow follows a structured and film-accurate pipeline. It begins by converting your digital log input into Cineon Log or a simulated negative film scan, effectively mimicking the first stage of a traditional film process. From there, the image is balanced and refined, then passed through a print film or display transform to prepare it for final viewing

Our Review

FilmVision Pro — A Cinema Colorist's Toolkit for Your Travel Footage

The gist: A DaVinci Resolve color pipeline that converts ordinary travel clips into a genuine film-negative look, giving nomad filmmakers a professional grade without hiring a colorist.

Full pipeline, not a one-click filter: Converts your log footage into a simulated negative scan, then balances and passes it through a print-film transform — the same structure real film labs use.
Works in free software: Built for DaVinci Resolve, which has a capable free tier, so you don't need an expensive subscription on top of the pack itself.
Flexible looks: Bundles cinema-grade creative grades alongside the core film emulation, so you're not locked into one aesthetic across an entire trip's footage.
Built by a working colorist: Created by Serr, a filmmaker/DP/colorist whose Moment creator profile describes the goal as replicating a Kodak Vision3 look without shooting on actual film stock.

Per Serr's own creator profile on Moment, the pipeline is built to be one of the more accurate film emulations available specifically because it mimics the physical film development stages rather than applying a flat LUT.

Best for: travel filmmakers who already edit in DaVinci Resolve and want a consistent, cinematic look across a whole trip's footage. Skip it if: you're an occasional traveler who just wants a quick Instagram filter — this is overkill and overpriced for that. Runs ~$349 — check the current price before buying.

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